BiblioVault - Books by Fisher, James

Between Freedom and Equality

The History of an African American Family in Washington, DC

Barbara Boyle Torrey and Clara Myrick Green

Georgetown University Press, 2023

An original history of six generations of an African American family living in Washington, DC

Between Freedom and Equality begins with the life of Capt. George Pointer, an enslaved African who purchased his freedom in 1793 while working for George Washington’s Potomac Company. It follows the lives of six generations of his descendants as they lived and worked on the banks of the Potomac, in the port of Georgetown, and in a rural corner of the nation’s capital. By tracing the story of one family and their experiences, Between Freedom and Equality offers a moving and inspiring look at the challenges that free African Americans have faced in Washington, DC, since the district’s founding.

The story begins with an 1829 letter from Pointer that is preserved today in the National Archives. Inspired by Pointer’s letter, authors Barbara Boyle Torrey and Clara Myrick Green began researching this remarkable man who was a boat captain and supervisory engineer for the Potomac canal system. What they discovered about the lives of Pointer and his family provides unique insight across two centuries of Washington, DC, history.

The Pointer family faced many challenges—the fragility of freedom in a slaveholding society, racism, wars, floods, and epidemics—but their refuge was the small farm they purchased in what is now Chevy Chase. However, in the early twentieth century, the DC government used eminent domain to force the sale of their farm and replaced it with an all-white school. Between Freedom and Equality grants Pointer and his descendants their long-overdue place in American history.

This book includes a foreword by historian Maurice Jackson exploring the significance of the Pointer family’s unique history in the capital. In another very personal foreword, James Fisher, an eighth-generation descendant of George Pointer, shares his complex emotions when he learned about his ancestors. Also featured in this important history is a facsimile and transcription of George Pointer’s original letter and a family tree.

Royalties from the sale of the book will go to Historic Chevy Chase DC (HCCDC), which has established a fund for promoting the legacy of George Pointer and his descendants.

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Dr. America

The Lives of Thomas A. Dooley, 1927-1961

James T. Fisher

University of Massachusetts Press, 1998

This book chronicles the life of Tom Dooley, the American doctor whose much-publicized exploits in Vietnam and Laos during the 1950s helped lay the ideological groundwork for the U.S. military intervention a decade later. The scion of an upper-middle-class St. Louis family, Dooley was an enormously complex and fascinating individual. He was a devoutly religious Roman Catholic as well as a self-styled playboy socialite, a devoted physician to the poor and a tireless propagandist for the "Vietnam Lobby," a shameless self-promoter and a closeted homosexual, a victim of Navy persecution and a beneficiary of CIA support. Dooley first gained notoriety as a young Navy doctor charged with overseeing the evacuation of Catholic refugees from North Vietnam in the wake of the 1954 Geneva Accords. His celebrity grew after his book Deliver Us from Evil, a fervently anticommunist account of his experiences, was serialized in Reader's Digest. By the end of the decade, as his name became associated (albeit mistakenly) with a ballad popularized by the Kingston Trio, he had achieved the status of "America's first pop star saint." In addition to exposing the roots of the Vietnam War, Dooley's story illuminates a broad range of developments in post-World War II United States culture—from the "Americanization" of Catholicism to the rise of the mass media.

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Real Sports, Volume 95

James T. Fisher

Duke University Press

The contributors to this volume were recruited by editor James T. Fisher on the basis of writing talent and a passion for sports equal to his own. These scholars and critics from such disciplines as history, English, comparative literature, and theology look to the sidelines of their academic lives to break new ground in sportswriting. But they are neither competing for turf in sports journalism nor aiming to establish an academic area such as “sports studies”—the prospect of which, says Fisher, “is not pleasant to behold.” Instead, they write about boxing, for example, in terms of living and working (out) in the college town where Larry Holmes grew up and now owns a gym; about how the religious implications of Sunday-afternoon sports in seventeenth-century England became the key to a Cambridge theology student’s understanding of the fall of Archbishop Laud and Charles I; about baseball as Cuba’s national pastime—and what that means to a Cuban professor of literature at Yale.
Indeed, questions of meaning, mediation, and the mediation of the media are repeatedly raised here as contributors explore the historical, social, cultural, and personal experience of sports as an index of identity. Real Sports features a historian’s analysis of sports as a nexus between Indian and Euro-American cultures; a critique of sports talk radio and the ethic of the fan; and a literary critic’s celebration of the Midwest, complete with swamps, shopping centers, and “the Spartan green of the Big Ten.” Also explored is today’s father-son generation gap, between fathers who root for their home teams and sons whose place is six feet from the TV set, “where every team is the home team.”

Contributors. Patrick Allitt, Philip Deloria, Ann Fabian, James T. Fisher, Roberto González Echevarría, Pamela Haag, Michael Oriard, Kenneth Parker, Stephen Rachman, Carlo Rotella

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Theatre History Studies 2012, Vol. 32

Edited by Rhona Justice-Malloy

University of Alabama Press, 2012

Theatre History Studies, currently edited by Rhona Justice-Malloy, is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre.

Contributors
Penny Farfan / Victor Holtcamp / Lisa Jackson-Schebetta / Richard
L. Poole / Bill Rauch / Thomas Robson / Marlis Schweitzer / Virginia
Scott / Christine Woodworth

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Theatre Symposium, Vol. 15

Theatre and Moral Order

M. Scott Phillips

University of Alabama Press, 2007

The essays gathered together in Volume 15 of the annual journal Theatre Symposium investigate how, historically, the theatre has been perceived both as a source of moral anxiety and as an instrument of moral and social reform.

Essays consider, among other subjects, ethnographic depictions of the savage “other” in Buffalo Bill’s engagement at the Columbian Exposition of 1893; the so-called “Moral Reform Melodrama” in the nineteenth century; charity theatricals and the ways they negotiated standards of middle-class respectability; the figure of the courtesan as a barometer of late nineteenth and early twentieth-century moral and sexual discourse; Aphra Behn’s subversion of Restoration patriarchal sexual norms in The Feigned Courtesans; and the controversy surrounding one production of Tony Kushner Angels in America, during which officials at one of the nation’s more prominent liberal arts colleges attempted to censor the production, a chilling reminder that academic and artistic freedom cannot be taken for granted in today’s polarized moral and political atmosphere.

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Theatre Symposium, Vol. 9

Theatre and Politics in the Twentieth Century

John C. Countryman

University of Alabama Press, 2001

This collection of essays explores how drama can teach political principles and entertain at the same time.

Political commentary is possible through "variety" theatre, this volume contends. Compiled from the April 2000 Theatre Symposium held on the campus of the University of Tennessee-Knoxville, this collection of essays
presents a compelling mix of theoretical and practical viewpoints from a broad diversity of scholars from around the country.

What remains to be learned about the political objectives of Brecht's Lehrstriucke? What political power is resident in the satirical humor of Dario Fo's drama? What can we learn from Mordecai Gorelik's political/artistic philosophy that might inform contemporary practice? What was the impact of political theatre on Broadway between the wars? Is Thornton Wilder's Our Town the play we've always imagined it to be, or does it challenge the politics of its time? What is the role of theatre activism in raising consciousness about gender politics? These are only some of the questions addressed by this lively, informative discussion.

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